Masih banyak lagi » Account Options. Masuk; Setelan penelusuran. Siap Sapa Fans Tanah Air, Red Velvet Bertolak Dari Incheon Ke Jakarta Hari Ini; Kawah Putih Ciwedey Tawarkan Keindahan Alam yang Menakjubkan; Makin Sukses, Ternyata. OTHER CHORDS YOU'LL LIKE. Slow (feat Gamaliel). Bondan Prakoso Feat Fade 2 Black LyricsNada Cinta - Wikipedia bahasa Indonesia, ensiklopedia bebas. Nada Cinta. Genre. Drama musikal. Pembuat. MD Entertainment. Perancang. Mikha Tambayong. Penulis. Aviv Elham.
Sutradara. Anupham Sinha. Anto Agam. Sutradara kreatif. Aviv Elham. Pemeran. Mikha Tambayong. Randy Pangalila. Michella Putri. Donny Michael. Dewi Sandra. Luna Maya. Primus Yustisio. Dicky Wahyudi. Olla Ramlan. Kieran Shidu. Aditya Firmansyah. Putri Una. Irene Justine. Bayu Septivirguna. Akhmad Fadli. Derry Drajat. Frans Tumbuan. Rudi Rene. Dewi Siska. Nufi Julian Wardhana. Larissa Anggia Wulandari. Louise Anastasya. Indah Indriana. Pengisi suara. Mikha Tambayong. Narator. Mikha Tambayong. Komposer lagu tema. MD Music. Musik. Randy Pangalila, Dewi Sandra dan Michella Putri. Lagu tema. Nada Cinta, Mikha Tambayong Feat. Randy Pangalila, Dewi Sandra dan Michella Putri. Lagu pembuka. I Need You, Mikha Tambayong Feat. Randy Pangalila. Lagu penutup. Ya Sudahlah, Bondan Prakoso Feat. Fade 2 Black. Komposer. Wawan. Negara Indonesia. Bahasa. Bahasa Indonesia. Jumlah episode. 25. Produksi. Lokasi. Jakarta. Durasi. 1 jam (6. WIB) (1. 7 Januari 2. Juni 2. 01. 1, 1. Juli- 2. 5 September 2. Jam (1. 20 menit: 1. WIB) (1. 3 Juni 2. Juli 2. 01. 1) (1- 2 Episode)Rumah produksi. MD Entertainment. Siaran. Stasiun televisi. Indosiar. Siaran perdana. Senin, 1. 7 Januari. Siaran sejak. Senin, 1. Januari. 20. 11 – Minggu, 2. September. 20. 11. Kronologi. Diawali oleh. Taxi Season 2. Dilanjutkan oleh. Tutur Tinular Versi 2. Nada Cinta adalah sinetron musikal yang ditayangkan di Indosiar dan diproduksi oleh MD Entertainment. Sinetron ini mulai ditayangkan pada tanggal 1. Januari. 20. 11 setiap hari pukul 1. WIB. Para pemerannya natara lain antara lain oleh Mikha Tambayong, Randy Pangalila, Michella Putri, Donny Michael, Dewi Sandra, Luna Maya, Primus Yustisio, Dicky Wahyudi, Olla Ramlan, Kieran Shidu, Aditya Firmansyah, Putri Una, Irene Justine, Bayu Septi Virguna, Akhmad Fadli, Derry Drajat, Frans Tumbuan, Rudi Rene, Dewi Siska, Nufi Julian Wardhana, Ricky Djauhary, Larissa Anggia Wulandari, Louise Anastasya dan Indah Indriana. Pemain. Sinopsis. Faris adalah anak orang kaya raya dan terpandang yang sedang menjalin hubungan dengan Rina, seorang guru musik dari keluarga biasa. Hubungan ini ditentang oleh Tirta, ayahnya. Faris dipisahkan dan dipaksa menikah dengan Nia. Sementara itu Rina ternyata hamil dan melahirkan anak perempuan yang kemudian diculik oleh adik Nia dan bibi tante pergi ke yatim piatu di panti asuhan. Lima Belas tahun kemudian, Nada, anak perempuan yang dulu dibuang oleh adik Nia, kini sudah tumbuh menjadi remaja yang cantik dan sangat mencintai musik. Nada selalu dibayang- bayangi keinginan untuk segera bertemu orang tuanya yang entah ada di mana. Nada nekat kabur ke Jakarta. Ketika tiba di Jakarta Pusat harus ke Jakarta Pusat arus ke Plaza Indonesia lihat ke Entertainment X'nter Nada nyaris tertabrak mobil tetapi berhasil diselamatkan oleh Rina. Sayangnya pertemuan anak dan ibu ini tidak membuat mereka menjadi dekat dia ke Gambir lihat ke Monumen Nasional arus ke Jakarta Pusat lokasi ikon ke Jakarta. Nada kini bergabung dengan 3 orang pengamen jalanan. Lalu Nada dan teman- temannya membangun sebuah warung di depan sekolah mewah, di mana Rina ternyata mengajar musik di sini. Nada kembali bertemu dengan Rina. Ketertarikan yang sama terhadap musik perlahan- lahan membuat mereka semakin dekat. Sementara itu Ricky, siswa favorit di sekolahan ini, terpesona dengan kemampuan menyanyi Nada. Hal ini membuat Rasty, pacar Ricky, menjadi cemburu dan ingin menghancurkan Nada. Rasty selalu berusaha menyingkirkan Nada. Kemudian diketahui bahwa Rasty ternyata adalah anak Faris dari Nia. Akankah Rasty dan Nada memperebutkan cinta Ricky seperti kedua orang tua mereka dulu? Atau akankah ini membuat Faris kembali kepada Rina?
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For example, if you describe three different methods, use three subheadings within the . Also, use matching subheadings in the . Although this is primarily intended for randomized trials, the section of the checklist describing how an intervention should be reported is also relevant for manuscripts with other evaluation designs. Before submission, authors of RCTs must fill in the electronic CONSORT- EHEALTH questionnaire at
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International Committee of Medical Journal Editors. Uniform requirements for manuscripts submitted to biomedical journals. JAMA 1. 99. 7; 2. PMID: 9. 06. 23. 35 (old format with link to Pubmed handing over the PMID, now discouraged) Westberg EE, Miller RA. The basis for using the Internet to support the information needs of primary care. J Am Med Inform Assoc 1. Jan- Feb; 6(1): 6- 2. Uniform requirements for manuscripts submitted to biomedical journals. JAMA 1. 99. 7; 2. American Medical Association Manual of Style: A Guide for Authors and Editors. Baltimore, Md: Williams & Wilkins; 1. ISBN: 0. 19. 51. 76. Conference proceedings:
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Now you'd think that, given what Bergamo had said about one of America's first hardcore punk acts, MCA would be happy to be rid of them and not let the label's name be sullied by such a morally bankrupt group of musicians. Record labels, however, generally deal in more tangible sorts of things than the less spendable notion of morals. The band was sued for breach of contract. They were prevented from releasing anything for two years while legal proceedings rumbled along. The group made do with putting out pre- Rollins- era Black Flag records under their own surnames, but even this wasn't enough for the label, who issued more legal documents against the band saying that they'd violated a court injunction against releasing any new material. Two of the band members even wound up in jail for contempt of court. The case might have gone on for another few years had it not been for a nice bit of karma seeing Unicorn Records, the MCA subsidiary that the album was to be released through, go out of business in 1. SST, on the other hand, continues to this day and has been home to the likes of Sonic Youth, Husker Du and Dinosaur Jr. Suck it, corporate America. For more from Kevin, read Listening to Grasshoppers or procrastinate together on Twitter. For more reasons why we're cooler than Rolling Stone, check out 6 Musicians Who Predicted Their Own Death in Song and 7 Insane Ways Music Affects The Body (According to Science). And stop by Link. STORM to see our list of people we tell to fuck off via Morse Code (it's pretty extensive). And don't forget to follow us on Facebook and Twitter to get sexy, sexy jokes sent straight to your news feed. 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Design by Gio&Vi Mitopositano com - News Manciano - Saturnia - indexvecchia - index cogn - Hotels of the world - Agriturismi Vacanze cardomino. For new lifters, I stress a drill that sounds crazy, but works well. I teach new lifters to take the bar from the floor to about two inches above the knee as. JESUS FASTENING MOFFETT SHUSTER MORTARS Garbhán Tintorero SOLTAU GAUTHREAUX Yocemento SUSPECTS' PINCKNEY UNPRESERVED DRINKER LEACHMAN JABBING WEAK. Short and uber intense, CrossFit workouts combine gymnastics, sprints, plyometrics and Olympic weightlifting for an all-around kick-butt challenge. Find the latest sports news and articles on the NFL, MLB, NBA, NHL, NCAA college football, NCAA college basketball and more at ABC News. Olympic Weightlifting on the Web is a list of all of the web sites dealing with the sport of Olympic Weightlifting. Olympic Weightlifting Team Coach 1980, 1988 & 1992 Author of Olympic-style Weightlifting for Beginner & Intermediate Weightlifters Manual and DVD. Workout Tips Olympic Weightlifting - Master the Snatch and the Clean and Jerk With Our Step-by-Step Guide Nothing can match Olympic lifting for overall power and. No part of this website may be reproduced or transmitted in any form or by any means without prior written. While many lifters new to the sport can continue to make impressive Squat gains using linear and weekly progression programs, there eventually comes a point where the stress of continuing to push the Squat upwards begins to impede the progress that can be made in the Olympic lifts and increase the chances of injury due to insufficient recovery. Alternatively, lifters can reach the point where their technique and efficiency is such that their strength is the limiting factor in allowing them to move more weights in the competition lifts. In the latter situation, it may be appropriate to have a lifter undertake an intensive squat programme such as the infamous Smolov routine or the less aggressive but still challenging Russian Squat Routine. Both combine high volume and intensity and will help to get an athlete’s squat unstuck if they can keep up with the workload. The Russian Squat Routine sees the lifter squat three times a week for six weeks, accumulating volume for the first three weeks and then dropping volume and increasing intensity for the back end before attempting a new personal best. But what if six weeks of intense squatting is undesirable? Enter the Russian Masters Squat Routine, a variant of the Russian Squat Routine that spreads the same amount of work over nine weeks rather than six. Russian Masters Squat Program. I’m not going to go into the mechanics of the Russian Masters Squat program in too much detail. Marc Keys, who coaches me and who prescribed this program, has done an extensive write- up of the RM routine and put together a calculator over on his blog. Suffice to say it’s a peaking program that runs for 9 weeks, rather than the 6 week duration of the . The first four weeks are all about volume accumulation, with six sets of two reps at a constant working weight (about 8. RM) gradually building up to six sets of six. The next four weeks increase intensity while tapering the volume to the point of hitting the previous squat 1. RM for two doubles in Week 8. Week 9 is then a max day where the athlete is expected to peak at 1. The RM was my first experience of a squat program that hadn’t followed linear workout- to- workout or weekly progression. I had maxed at a 1. RM suggested that a stronger squat should have been possible) but my squatting since then had been fairly inconsistent due to travelling for work and going on holiday in August. Keeping both of these details in mind, plus a couple of technique points that needed to be fixed, we decided to start conservatively with a max of 1. This is what it generated for the nine weeks: Starting Out and Volume Accumulation. Due to me needing to resolve a few issues with my squat, mostly to do with back angle and trunk stability, we ran the first cycle without a belt until the final week when I maxed out. I was also prescribed copious amounts of weighted hyperextensions and ab work to bring up strength in these areas. We also played it conservatively with the weight increases after Week 4, rounding down where the calculator turned out odd numbers and taking 7. This led to me hitting a double at 1. Week 8, rather an 1. I also didn’t Front Squat for the duration of the program. Having previously stuck to programs that involved 3 sets of 5 or ramped sets up to a heavy set of 5, adjusting to 6 sets took a little while. Session 1 wasn’t any trouble, though it was certainly strange only squatting for two reps before re- racking the bar. The same can’t quite be said of the week’s second squat day, at least initially. Despite using a clearly sub- maximal weight, Session 2 of Weeks 2 and 3 (my second squat workout always fell on a Saturday) were a little hairy at times, with plenty of inconsistency in form and my torso continuing to pitch forward. Register for Instant Access Our weightlifting training programs are currently used by 49,094 athletes around the world! Register to join them with a free or premium. By Week 4 though, much of this seemed to have resolved itself and the 6. I can’t say it was a lot of fun – I had a cold at the time – but it certainly wasn’t the ordeal I had anticipated. Tapering and Maxing Outhttp: //www. Jg. LDDJQKUH8. From there, the taper was a bit of a breeze. By Week 5, the first squat session of the week (on a Tuesday) had become so easy that I was down to 9. Weeks 8 and 9 I could comfortably manage the weight with a 3- second pause in the hole. At 1. 40kg, I displayed a pronounced list to one side and at that stage we weren’t sure if I was going to be able to continue. Another warm- up rep at 1. I probably took too many jumps and tired myself out before maxing) was fairly okay so we decided to try the initial 1. It didn’t exactly fly up but there was clearly more there – +5kg PB in the bag. We then tried 1. 75kg which was really quite tough but I made it. At this point, Marc advised a long rest and a final attempt at 1. It was incredibly bloody hard, and there may have been a little assistance to make sure that I didn’t fail the rep, but I’m claiming the 1. PB. Considering how rubbish I felt that day and how much energy I wasted doing too many warm- up reps, it’s there. Squat days were sufficiently spaced out that I had more than adequate time for recovery and fatigue didn’t have a chance to accumulate or carry over from session to session. During the nine weeks of the program, I also put 7kg on my Snatch and 1. Clean & Jerk, though both are currently limited by my technique rather than my level of strength. The point is more that progressing my squat didn’t interfere with making gains in the competition lifts in any way. We chose not to add Front Squats to my programming for the duration of the first cycle, partly because strength wasn’t my primary area of focus but also so as not to interfere with the routine the first time around. For my second cycle, which I started a couple of weeks ago and am going to run belted for the duration, we added 3. So far these haven’t interfered with the volume day squatting at all and the increased strength from the previous cycle has had a marked effect on my Front Squat despite not training it for over two months. My best triple before starting the Russian Masters routine was 1. Front Squatting, I did three comfortable sets of three at 1. All things considered, the Russian Masters routine for Squat is an excellent choice for the weightlifter looking to improve their basic Squat strength while retaining the ability to train their other lifts at a decent level. Although some other programs can offer faster gains, a 5- 1. The program is clearly not the best choice for new lifters, who can make faster gains from linear progression while recovering quickly, or for lifters who are currently limited in their Olympic lifts by their top end strength and who may wish to make more aggressive squat gains. For weightlifters still developing their technique with an already decent level of strength however, the RM routine is a great option for keeping squat strength ticking incrementally upwards while working on becoming a more efficient lifter overall. Libro - Wikipedia. Da Wikipedia, l'enciclopedia libera. 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Se ne deduce che le prime scritture delle lingue indoeuropee possano esser state intagliate su legno di faggio. La scrittura, un sistema di segni durevoli che permette di trasmettere e conservare le informazioni, ha cominciato a svilupparsi tra il VII e il IV millennio a. C. Lo studio di queste iscrizioni . La scrittura alfabetica emerse in Egitto circa 5. Gli antichi Egizi erano soliti scrivere scrivere sul papiro, una pianta coltivata lungo il fiume Nilo. Inizialmente i termini non erano separati l'uno dall'altro (scriptura continua) e non c'era punteggiatura. I testi venivano scritti da destra a sinistra, da sinistra a destra, e anche in modo che le linee alternate si leggessero in direzioni opposte. Il termine tecnico per questo tipo di scrittura, con un andamento che ricorda quello de solchi tracciati dall'aratro in un campo, . Furono infatti usate come mezzo di scrittura, specialmente per il cuneiforme, durante tutta l'Et. Servivano da materiale normale di scrittura nelle scuole, in contabilit. Avevano il vantaggio di essere riutilizzabili: la cera poteva essere fusa e riformare una . L'usanza di legare insieme diverse tavolette di cera (romano pugillares) . Erano utilizzate anche le cortecce di albero, come per esempio quelle della Tilia, e altri materiali consimili. La parola greca per papiro come materiale di scrittura (biblion) e libro (biblos) proviene dal porto fenicio di Biblo, da dove si esportava il papiro verso la Grecia. Tomus fu usato dai latini con lo stesso significato di volumen (vedi sotto anche la spiegazione di Isidoro di Siviglia). Che fossero fatti di papiro, pergamena o carta, i rotoli furono la forma libraria dominante della cultura ellenistica, romana, cinese ed ebraica. Il formato di codex si stabil. Viene chiamato codex per metafora di un tronco (codex) d'albero o di vite, come se fosse un ceppo di legno, poich. La prima menzione scritta del codice come forma di libro . Tuttavia, il codice non si guadagn. Gli autori cristiani potrebbero anche aver voluto distinguere i loro scritti dai testi pagani scritti su rotoli. La storia del libro continua a svilupparsi con la graduale transizione dal rotolo al codex, spostandosi dal Vicino Oriente del II- II millennio a. C. All'arrivo del Medioevo, circa mezzo millennio dopo, i codici - di foggia e costruzione in tutto simili al libro moderno - rimpiazzarono il rotolo e furono composti principalmente di pergamena. Fu un cambiamento che influ. Potrai pagarli due, e Trifone il libraio ci far. Haec tibi, multiplici quae structa est massa tabella, / Carmina Nasonis quinque decemque gerit. Questa mole composta da numerosi fogli contiene quindici libri poetici del Nasone »(Marziale XIV. Il libro antico. L'oggetto libro sub. Nel mondo antico non godette di molta fortuna a causa del prezzo elevato rispetto a quello del papiro. Tuttavia aveva il vantaggio di una maggiore resistenza e la possibilit. Il libro in forma di rotolo consisteva in fogli preparati da fibre di papiro (phylire) disposte in uno strato orizzontale (lo strato che poi riceveva la scrittura) sovrapposto ad uno strato verticale (la faccia opposta). La scrittura era effettuata su colonne, generalmente sul lato del papiro che presentava le fibre orizzontali. Non si hanno molte testimonianze sui rotoli di pergamena tuttavia la loro forma era simile a quella dei libri in papiro. Gli inchiostri neri utilizzati erano a base di nerofumo e gomma arabica. La vecchia forma libraria a rotolo scompare in ambito librario. In forma notevolmente differente permane invece in ambito archivistico. Nel Medio Evo si fanno strada alcune innovazioni: nuovi inchiostri ferro gallici e, a partire dalla met. Il prezzo molto basso di questo materiale, ricavato da stracci e quindi pi. Ma bisogna aspettare la seconda met. Questo mezzo, permettendo l'accelerazione della produzione delle copie di testi contribuisce alla diffusione del libro e della cultura. La parola membranae, letteralmente . Altri suoi distici rivelano che tra i regali fatti da Marziale c'erano copie di Virgilio, di Cicerone e Livio. Le parole di Marziale danno la distinta impressione che tali edizioni fossero qualcosa di recentemente introdotto. Il codice si origin. Quando c'era bisogno di pi. Sono stati rinvenuti . Nel tempo, furono anche disponibili modelli di lusso fatti con tavolette di avorio invece che di legno. I romani chiamarono tali tavolette col nome di codex e solo molto pi. Ad un certo punto i romani inventarono un taccuino pi. Il passo fu breve dall'usare due o tre fogli come taccuino al legarne insieme una certa quantit. Il grande vantaggio che offrivano rispetto ai rolli era la capienza, vantaggio che sorgeva dal fatto che la facciata esterna del rotolo era lasciata in bianco, vuota. Il codice invece aveva scritte entrambe le facciate di ogni pagina, come in un libro moderno.(LA). Quam brevis inmensum cepit membrana Maronem! Ipsius vultus prima tabella gerit. La prima pagina porta il volto del poeta. Ma copie erano anche fatte di fogli di papiro. In Egitto, dove cresceva la pianta del papiro ed era centro della sua manifattura per materiale scrittorio, il codex di tale materiale era naturalmente pi. Quando i greci ed i romani disponevano solo del rotolo per scrivere libri, si preferiva usare il papiro piuttosto che la pergamena. Fece la sua comparsa in Egitto non molto dopo il tempo di Marziale, nel II secolo d. C., o forse anche prima, alla fine del I secolo. Il suo debutto fu modesto. A tutt'oggi sono stati rinvenuti 1. Nel terzo secolo la percentuale aumenta dall'1,5% a circa il 1. Il rotolo comunque aveva ancora parecchi secoli davanti a s. In teoria, in Egitto, terra ricca di pianta di papiro, il codice papiraceo avrebbe dovuto regnar supremo, ma non fu cos. Sebbene gli undici codici della Bibbia datati in quel secolo fossero papiracei, esistono circa 1. Non ne scegliemmo alcuno, ma ne raccogliemmo altri otto per i quali gli diedi 1. Il codex tanto apprezzato da Marziale aveva quindi fatto molta strada da Roma. Nel terzo secolo, quando tali codici divennero alquanto diffusi, quelli di pergamena iniziarono ad essere popolari. Il numero totale di codici sopravvissuti correntemente ammontano a pi. Nel quarto secolo la percentuale si alza al 3. V secolo. In breve, anche in Egitto, la fonte mondiale del papiro, il codice di pergamena occupava una notevole quota di mercato. Sono tutti di pergamena, edizioni eleganti, scritti in elaborata calligrafia su sottili fogli di pergamena. Per tali edizioni di lusso il papiro era certamente inadatto. Titoli di compilazioni celebri, il Codice teodosiano promulgato nel 4. Codice giustinianeo promulgato nel 5. Dall'altro lato, basandoci sulle annotazioni di Libanio, intellettuale del IV secolo che nelle sue molteplici attivit. Le ragioni erano buone: la pergamena poteva resistere a maltrattamenti vari, il codice poteva venir consultato velocemente per riferimenti giuridici, sentenze e giudizi, e cos. La pergamena usata doveva certo essere di bassa qualit. Il papiro divenne difficile da reperire a causa della mancanza di contatti con l'Antico Egitto e la pergamena, che era stata usata da secoli, divenne il materiale di scrittura principale. I monasteri continuarono la tradizione scritturale latina dell'Impero romano d'Occidente. Cassiodoro, nel Monastero di Vivario (fondato verso il 5. XLVIII), che riserva certi momenti alla lettura, influenz. La tradizione e lo stile dell'Impero romano predominava ancora, ma gradualmente emerse la cultura peculiare libro medievale. Prima dell'invenzione e adozione del torchio calcografico, quasi tutti i libri venivano copiati a mano, il che rendeva i libri costosi e relativamente rari. I piccoli monasteri di solito possedevano poche dozzine di libri, forse qualche centinaio quelli di medie dimensioni. Con il IX secolo, le pi! Alcuni di questi esemplari sono esposti nei musei. La luce artificiale era proibita per paura che potesse danneggiare i manoscritti. Esistevano cinque tipi di scribi. La pergamena doveva essere preparata, poi le pagine libere venivano pianificate e rigate con uno strumento appuntito o un piombo, dopo di che il testo era scritto dallo scriba, che di solito lasciava aree vuote a scopo illustrativo e rubricativo. Infine, il libro veniva rilegato dal rilegatore. Esistono testi scritti in rosso o addirittura in oro, e diversi colori venivano utilizzati per le miniature. A volte la pergamena era tutta di colore viola e il testo vi era scritto in oro o argento (per esempio, il Codex Argenteus). Tuttavia, l'uso di spazi tra le parole non divenne comune prima del XII secolo. Si sostiene che l'uso di spaziatura tra parole dimostra il passaggio dalla lettura semi- vocalizzata a quella silenziosa. Le copertine erano fatte di legno e ricoperte di cuoio. Durante il Tardo Medioevo, quando cominciarono a sorgere le biblioteche pubbliche, e fino al XVIII secolo, i libri venivano spesso incatenati ad una libreria o scrivania per impedirne il furto. Questi libri attaccati a catena sono chiamati libri catenati. Vedi illustrazione a margine. Dapprima, i libri erano copiati prevalentemente nei monasteri, uno alla volta. Con l'apparire delle universit. I libri furono divisi in fogli non legati (pecia), che furono distribuiti a differenti copisti e di conseguenza la velocit. Il sistema venne gestito da corporazioni secolari di cartolai, che produssero sia materiale religioso che laico. 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